Gil Evans Orchestra - Parabola - 1978 - HORO HDP 31-32

This is an important LP, for me.

Not only because Gil Evans is among the most important composers and arrangers in jazz, and perhaps is not even for his poetic lyricism or for the wonderful voices of Steve Lacy, Lew Soloff or Earl McIntyre.
I don't believe it's important for the music of Hendrix, that Gil would have liked to play with Miles Davis, and perhaps even because it's one of the greatest projects of HORO label.


Maybe it's just for the title, or for that solitary golden portrait, but I feel that is an important LP for me, now.
I can't say more.

Talking about music is like dancing to architecture...

Those of you following me also on jazzfromitaly.splinder.com, will better understand what I mean.


I dedicate this post to all the jazz fans who keep alive the discussion on organissimo.

Credits:

Label: HORO
Catalog#: HDP 31-32
Format: LP
Country: Italy

Recorded at "Trafalgar Studio", Rome. July 29, 1978

Gil Evans (p., el. p), Steve Lacy (soprano sax), Arthur Blythe (alto, soprano sax), Lew Soloff (tp), Earl McIntyre (trne), Peter Levin (kyb), Don Pate (bass), Noel McGhee (drums)

Tracklisting:

Side 1

1) Waltz (G. Evans) - 14'22"
2) Up From The Skies (J. Hendrix) - 4'20"

Side 2

1) Parabola (G. Evans) - 11'52"

Side 3

1) Stone Free (J. Hendrix) - 21'58"

Side 4

1) Variation (G. Evans) - 24'01"

Claudio Lo Cascio New Jazz Society - South-East Pipe-Lines - 1975

Many years ago, before jazz was recognized its value through all those songs then defined world, were very few Italian musicians who draw on the national folk to let their music breathe freely. Even fewer those who were able to conduct their "local" language at the same level as the global.

Among these few, brave explorers music, can not be forgotten, in addition to the great Trovesi, the Sicilian piano player Claudio Lo Cascio and his New Jazz Society.

Credits:

Label: Edizioni di Cultura Popolare
Catalog#: VPA 102
Format: LP
Country: Italy

Recorded at Rome, on January 12, 1975

Claudio Lo Cascio (p), Renato D'Anna (el. viol), Rosario Vizzini (el g), Franco Messina (el bass), Salvatore Cammarata (drums)


Tracklisting:

Side A

A1) Oleodotti A Sud Est - 5'10"
A2) Dalla Gente Alla Gente - 9'18"
A3) Tandarica - 5'00"
A4) Milicia - 4'34"




Side B

B1) Call - 7'24"
B2) Siodmawka - 8'39"
B3) Gifte Telli - 7'08"

Gil Cuppini Big Band - Sof' Stroke - 1968

Gilberto "Gil" Cuppini is not a jazzman that needs to be presented.

Then just scroll through the names of friends, and great musicians, who came forward to his call, to realize the respect and credibility to the Italian jazz recognizes at this man.

This LP is a recording of a memorable concert took place in late summer of 1968 at Universal Club of Marina di Carrara, entirely dedicated to the memory of Giancarlo Testoni, well-known music critic, founder of the "Musica Jazz" magazine.

Credits:

Label: MEAZZI
Catalog#: MLPS 04048
Format: LP
Country: Italy

Recorded at "Universal Club",Marina di Carrara (Tuscany), on Summer 1968

Fermo Lini, Alberto Corvini, Emilio Soana, Oscar Valdambrini (trumpets), Dusko Goykovich (flgh), Mario Pezzotta, Dino Piana, Nicola Castriotta (trnes), Cesare Gagliardi (bass trne), Glauco Masetti, Sergio Valenti (alto sax), Gianni Basso, Eraldo Volontè (ten sax), Sergio Rigon (bar sax, fl), Ettore Righello (p), Giorgio Azzolini (bass), Gil Cuppini (drums)


Tracklisting:

Side A

Opening "the stretch" - 0'39"
A1) Flip Top - 3'00"
A2) Sof' Stroke - 4'39"
A3) A Crystal Dream - 3'20"
A4) 'Tronicdrum - 10'18"




Side B

B1) Well Said ! - 5'12"
B2) Making Love - 4'10"
B3) Sweet Lips - 3'04"
B4) When the Angels Listen to Mario - 3'22"
B5) Hot D.O.G. - 4'00"
Ending "Lady of the lavender mist" - 2'03"

Mario Schiano and His Orchestra - 1983

On the spine: “Mario Schiano and His Orchestra (Vittorini, that is)".
A list of Schiano’s records is included.

The songs are presented within a scenic framework.
The action takes place in a ballroom; Musica per I vostri padri (Music for your fathers) is the title of the evening, conducted by the disc-jockey of Radio Anguilla (Eel Radio). The traditional, old fashioned singer has to compete with noise, applause, comments and requests from the undisciplined audience, asking for the disco music to begin again.
At the end the singer is drowned by the noise of a pinball machine.

Credits:

Label: RCS
Catalog#: MS 20
Format: CASSETTE
250 copies numbered and signed
THANKS to Francesco Martinelli for this rare recording

Country: Italy
Recorded at Rome, between 16 January and 18 March 1983

Mario Schiano (vo, keyb, acting),
Tommaso Vittorini (ten sax, p, keyb, el. Drums, acting, tapes and effects records)


Tracklisting:

Side A

A1) Tu Musica Divina – 2’20”
A2) ‘Nu Quarto ‘e Luna – 2’30”
A3) Guarda che Luna – 2’09”
A4) Luna Caprese – 3’27”
A5) Che T’Aggia Dì – 2’24”


Side B

B1) Tre Settimane da Raccontare – 3’01”
B2) Frida – 2’58”
B3) Polvere di Stelle – 3’00”
B4) Raggio di Sole – 2’02”
B5) Accarezzame – 3’32”

Giorgio Gaslini Quintet - Live at the Public Theater in New York - 1980

On April 1980, invited by the Public Theater of New York, with the collaboration of the italian institute of Culture, the italian pianist and composer Giorgio Gaslini, together with his Quintet, performed the concert which this double album is the live recording of.

Following the New York public's enthusiasm, many important articles were written on the New York Times (Robert Palmer), on the New York Post (Richard M. Sudhalter), on the Down Beat and on the canadian Coda. During the same period, the Giorgio Gaslini Quintet was to be heard at the Columbia University (italian house) too.

The long program of the concert, here four sides recorded, is like a journey through the complex and rich Giorgio Gaslini's musical and poetic world.

It is not only an explosion of creative and instrumental strenth from the five musicians of the
group, it is also the representation of a precious display of an individual originality within the unity of the whole group.

Credits:

Label: Dischi della Quercia

Catalog#: 2Q 28009

Format: LP

Country: Italy
Recorded April 28, 1980

at the Public Theater in New York City

Giorgio Gaslini (p),

Gianluigi Trovesi (alto sax, soprano, bass cl, piccolo),

Gianni Bedori (tenor sax, soprano, ottavino),

Marco Vaggi (bass), Gianni Cazzola (drums)

Tracklisting:

Side 1

Assalto al Castello - 18'12"

Side 2

A) New York Song - 5'36"

B) Swing Low, Sweet Charlie - 6'49"

C) Ballo Popolare sui Navigli - 4'44"

Side 3

Mediterranean Suite - 16'42"

Side 4

A) Ricerca su "Free Actions" - 9'32"

B) Ricerca su "Mexico City Free" - 7'24"

CADMO & Massimo Urbani - Flying over Ortobene mount on July Seventy-seven

I CADMO born in Alghero (Sassari, Sardinia) in 1973 as a quintet which soon became a trio, consisting of Riccardo Lai on electric bass and Mario Paliano on drums, as well Antonello Salis on piano and Hammond organ.

I CADMO are remembered as one of the most original of the Italian scene of those years, capable of blending progressive rock with free jazz and traditional music from Sardinia.

In 1975 the three moved to Rome, where they performed at the Music Inn, the most important jazz club in town, and begin to come into contact with the musicians of the Roman scene.

In the same year i CADMO recorded in the studio the first of their two albums, entitled "Boomerang."
In 1975 i CADMO cooperate with Massimo Urbani, Maurizio Giammarco, Tommaso Vittorini, Enzo Pietropaoli and Roberto Gatto, and, in the same year, recorded their second album, "Flying over Ortobene mount on July Seventy-seven" and known in Rome Lester Bowie.

This meeting will deeply mark the group.

Later, played with CADMO also Sandro Satta and Danilo Terenzi.

Credits:

Label: Edizioni Dell'Isola

Catalog#: EIJ 2026

Format: LP

Country: Italy
Recorded at Rome on 1978

Antonello Salis (p),

Riccardo Lai (bass), Mario Paliano (drums)

special guest

Massimo Urbani (alto sax on #B2)

Tracklisting:

Side A

A1) Julius Mountain's

A2) Flying over Ortobene mount on July Seventy-seven

Side B

B1) Linea AZ

B2) Giuggiole

Paolo Fresu Quintet - Live at Lugano, 1989

On July 23, 1988 Paolo Fresu quintet performs with extraordinary success at the Festival Jazz Montpellier organized by the European Broadcasting Union (U.E.R), representing Radiouno.

The disc recorded on that occasion, and published by SPLASC (H), he was named Record of the Year 1990 by the Italian jazz critics unanimous.

About a year later, at Lugano, the same line up played a long concert, divided in two sets, in front of an enthusiastic audience, enjoying the same success.
But this live, was not published.

This is the recording of the first set, a long suites comprising seven songs performed without interruption, recorded by Sanzio Chiesa of Italian Switzerland Radio, where we find four of these tracks of the Montpellier’s performance, but with different assembling.

This live is circulated only in 1992, enclosed to Blu Jazz magazine n°25, directed by Adrian Mazzoletti.

Credits:

Label: BLU JAZZ

Catalog#: BJ027

Format: CD

Country: Italy

Released: 1992

Paolo Fresu (tp, flgh),
Tino Tracanna (ten sax, soprano sax), Roberto Cipelli (p),
Attilio Zanchi (bass), Ettore Fioravanti (drums)


Tracklisting CD:

1) Good Bye Pork Pie Hat – 4’45”
2) Atipico Blues – 6’45”
3) In Parte Senz’Arte – 10’45”
4) Pour Une Femme – 8’35”
5) Round About Midnight – 0’30”
6) Ostinato – 7’30”
7) Blues For You – 6’10”