What else to add on Enrico Pieranunzi that you don't already know, or that the website of the artist can not explain?
What I'd like to tell you, however, is that once the magazine Musica Jazz, the first and the most specific Italian publication dedicated to this music, attached in homage to his readers precious LP or CD like this, where they were published unreleased recordings taken from rare live concerts. Then, for reasons of publishing rights or because it's more convenient to choose the easy way out, this is no longer happened.
This does not detract from the prestige and professionalism of this publication.
I think especially in the historical memory that this magazine, operating since 1945, the year of Italy's liberation from fascism, built with passion, and is now available online, thanks to the National Center for Jazz Studies Arrigo Polillo, on the initiative and editorial care by Francesco Martinelli.
For me, however, the decision to make available these unpublished recordings, which were likely to forget, is the closest thing to the spirit of preservation and sharing of jazz that inspires my blog. Now you can listen Enrico Pieranunzi, but there are also unpublished records of Gianluigi Trovesi, Guido Manusardi, Giorgio Gaslini, Giancarlo Schiaffini, Gianni Basso, Massimo Urbani, Chet Baker in Italy, and others that now I don't remember.
This is because, besides the pleasure of hearing a good record, those unreleased recordings, contributed, in an excellent manner, to write the history of music that is based essentially on his performances, rather than on the written page.
I hope that now, with the new editor and with the interesting and transverse direction of Filippo Bianchi, the desire to document the sound of this music, returns one of the priorities of this magazine.
What I'd like to tell you, however, is that once the magazine Musica Jazz, the first and the most specific Italian publication dedicated to this music, attached in homage to his readers precious LP or CD like this, where they were published unreleased recordings taken from rare live concerts. Then, for reasons of publishing rights or because it's more convenient to choose the easy way out, this is no longer happened.
This does not detract from the prestige and professionalism of this publication.
I think especially in the historical memory that this magazine, operating since 1945, the year of Italy's liberation from fascism, built with passion, and is now available online, thanks to the National Center for Jazz Studies Arrigo Polillo, on the initiative and editorial care by Francesco Martinelli.
For me, however, the decision to make available these unpublished recordings, which were likely to forget, is the closest thing to the spirit of preservation and sharing of jazz that inspires my blog. Now you can listen Enrico Pieranunzi, but there are also unpublished records of Gianluigi Trovesi, Guido Manusardi, Giorgio Gaslini, Giancarlo Schiaffini, Gianni Basso, Massimo Urbani, Chet Baker in Italy, and others that now I don't remember.
This is because, besides the pleasure of hearing a good record, those unreleased recordings, contributed, in an excellent manner, to write the history of music that is based essentially on his performances, rather than on the written page.
I hope that now, with the new editor and with the interesting and transverse direction of Filippo Bianchi, the desire to document the sound of this music, returns one of the priorities of this magazine.
Credits:
In That Dawn Of Music
CD out of commerce
exclusive for the associates of
Musica Jazz magazine
Label: Soul Note / Musica Jazz
Catalog# SLMJ 003-2
Format: CD
Country: Italy
Date of release: October 1993
Tracklisting:
Part One
1) Someday My Prince Will Come (L. Morey - F. Churchill) - 7'57"
Enrico Pieranunzi (piano), Mads Vinding (bass), Alex Riel (drums)
live broadcast from Danish Radio, Copenaghen 1990, August 13
2) Impromptu No. 5 (E. Pieranunzi) - 4'29"
Enrico Pieranunzi (piano)
Live at Ivrea Jazz Festival 1993, March 12
3) Anthropology (Charlie Parker - Dizzy Gillespie) - 6'52"
Enrico Pieranunzi (piano), Paul Motian (drums)
Live at Roccella Ionica 1992, August 27
4) What's What (E. Pieranunzi) - 12'05"
Pietro Tonolo (tenor sax), Enrico Pieranunzi (piano),
Enzo Pietropaoli (bass), Fabrizio Sferra (drums)
Live at "Fabrik", Hamburg 1992, November 21
Part Two
5) Je Ne Sais Quoi (E. Pieranunzi) - 8'52"
Enrico Pieranunzi (piano), Marc Johnson (bass)
live broadcast from Radio de la Suisse Romande,
Losanna 1990, December 13
6) Straight Non Chaser (Thelonious Monk) - 4'48"
Enrico Pieranunzi (piano), Paul Motian (drums)
Live at Roccella Ionica 1992, August 27
7) In That Dawn Of Music (E. Pieranunzi) - 7'39"
Stefano D'Anna (tenor sax), Enrico Pieranunzi (piano),
Enzo Pietropaoli (bass), Roberto Gatto (drums)
Rome 1990, April 18
8) Someday My Prince Will Come (L. Morey - F. Churchill) - 11'21"
Enrico Pieranunzi (piano),
Enzo Pietropaoli (bass), Fabrizio Sferra (drums)
Live at "Jazzhouse", Copenaghen 1992, November 20
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Hi, thess two titles could be added to e.pieranunzi's rarities: Live In Castelnuovo, SIENA JAZZ RECORDS (SJR 1-02-94) - Anno 1994 & Just Friends Live At Alexander Platz Rome, Right Tone (RIGHTLP011).
RispondiEliminathank you very much
RispondiEliminathank you very much .. good italian jazz is always welcome..
RispondiEliminaSuperb, a big thank you!
RispondiEliminaVery grateful.
RispondiElimina